Methods: PSTC LO1- 1/5

Observation as Method: Ecological Attention 

Main Point: Observation is not just aesthetic and visual, its about building empathy and awareness 

My project began with observational sketchbook studies of an assortment of fish. I originally approached these drawings as just simple studies on size, movement, and texture. However, through the process, I started to understand observation as a methodology rather than just preparation for a final image. Observation became a way of slowing down and reflecting on a species of animal thats often ignored because of their abundance or lack of ‘cuddly’ appeal. By repeatedly drawing these fish, I became more and more aware of their fragility and ecological importance.

As I reflect more, I’ve started to notice how this method can be linked to scientific and natural history illustrations. Artist, Ernst Haeckel was a German zoologist and scientific illustrator and his illustrations (below) would go on to influence both the science and art communities in the late 19th century. He combined aesthetic design with scientific accuracy, influence the Art Nouveau movement, and his work such as the Riddle of the Universe, help promote public acceptance of evolutionary ideas.

Another artist I’d like to name is contemporary illustrator Katie Scott. Like Haeckel, she combined scientific observation with drawing to create visually stunning work that was used for educational purposes.

Both of these two artists’ practice helped me understand that observation is not still, the way animals or plants are represented can influence how audiences emotionall connect with them. 
My observational process can also connect to the ideas explored by John Berger, a British art critic and painter. Berger believes that “Seeing comes before words” is something that I deeply connect with. Visual attraction is the first element in attracting an audience to learn about my work. Berger also write about how perception is shaped culturally and anchovies are rarely represented individually because they are viewed collectively within industrial fishing. By drawing these any fish repeatedly, I am challenging their invisbility and positioning them as a subject that is worthy of attention.
Through this methodology, I began to view illustration as a form of ecological communication that becomes an extension of empathy and attention for a often overlooked species.

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